No drinks out, I get.

But no water bottles in?

How does that make sense?

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Photos and words by Debi Del Grande It wasn’t just a lil stop between Coachella dates for the Yeah Yeah Yeahs. It was a record release celebration for Mosquito, which officially came out yesterday complete with confetti shaped in the letter “Y.” Diehard fans lined up early and packed in as soon as doors opened [...]

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I can report Karen O. has matured into one of this-minute rock’s most affecting performers- a life-battered, kohl-eyed waif with an almost frightening emotional range in her cooing and choked syllables. They had the audience with them all the way, from the rambunctious opening through a confetti snowstorm to the coup de theatre at the end when the giant floating eyeballs were let loose.

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I am happy to say that Ozzy is still fucking awesome! He opened his one-hour set with an energized version of “I Don’t Know,” and he looked fit and happy, and his vocals sounded great. He played a few Sabbath classics like “War Pigs” and “Paranoid” and a bunch of his solo favorites. He hosed the crowd down several times with foam fire retardant. I got nailed, and I was a good 20 yards away. I saw one dude perched in a tree yell to his friend who was standing next to me that this show was his personal rock and roll moment, just as Ozzy nailed him square in the face with the foam like he was an anarchist at a WTO rally.

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Werewolf Art Exhibit is a traveling gallery that showcases the art and performances of some of the most exciting up and coming artists and bands in L.A. Tonight’s edition brought an impressive turnout to the 4300 Loft in Baldwin Hills. It was nice to see an event like this go off so well outside the stronghold of the downtown loft party scene, miraculously leaving much of the downtown snobbery behind.

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The rise of this kind of all-day indie sockhop is proof L.A.’s warehouses aren’t just for freight, psytrance and the odd orgy anymore. The Nomad Gallery Art Compound, a friendly art-bunker wedged deep in untrendy Frogtown, embraced the underground party set’s chill equation of art + music + abandoned industrial space = fuck the Sunset Strip with July 4th’s raucous “New Weird America” Festival.

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L.A. RECORD put photographer Lindsey Best through three dessicating days at the Coachella fun factory and she returned with this giant pile of beautiful photos and without any evidence whatsoever of sun damage to herself. Captured in full glory here are TV On The Radio, Leonard Cohen, M.I.A., No Age, Antony and the Johnsons, the Yeah Yeah Yeahs, Morrissey, Lykke Li, Public Enemy and many more!

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Although we have yet to toy around with the Coachooser, we present here (via Goldenvoice and Coachella) the set times for this weekend:

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