King Cannibal finds pleasure in dark, gritty beats that barely support a booty shake. Instead, take the lyrics to “Colder Still” off his latest, Let the Night Roar: “I believe in death. I believe in disease. In justice, torture and anger. I believe in murder.” This interview by Daiana Feuer.

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Coffin Joe—a.k.a. Zé do Caixão—is one of those villains that you’ve gotta know. Welcome to the strange world of Coffin Joe and José Mojica Marins, the damned Brazilian filmaker that scared the dictactorial government on the ‘70s who is being honoured this month with a program at the Cinefamily. This interview by Carol Ramos.

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Israel’s Monotonix are known and respected and perhaps even secretly coveted here in L.A. because of their world-wrecking live set and super-charged rock ‘n’ roll. Singer Ami Shalev speaks now while presumably fully clothed. This interview by Rena Kosnett.

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Vivian Girls weathered a year of touring and Internet comments and took the photo for their new album cover on the day they almost broke up three times. Cassie Ramone speaks now before tour with New York City’s Beets. This interview by Vanessa Gonzalez.

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North Carolina’s Weedeater are unflagging primal monstermen who convert weed and bourbon into simple energy and don’t stop touring til at least three things burst and deflate. They are working on a new album for Southern Lord and speak now from the road. This interview by Matt Dupree.

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Screaming Females fire right down the middle between Husker Du, Damaged Black Flag and Teenage Jesus and the Jerks and occupy more psychic space as an irreducibly solid three-piece than bands several times their age and weight combined. There are many gerunds that begin with ‘S in English and they use the ten best in every set. Their newest Power Move is out now on Don Giovanni. This interview by Chris Ziegler.

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Named after the Alabama cemetery where the band used to practice, the Haints’ uncanny specialty is a punk rock retrofit of the “dead” traditional music of the South and West. Guitarist-vocalist-fiddler Jaime Barrier muses on a vanishing America, punky get-up-and-go and the difficulties involved in mic-ing a musical saw. This interview by Ron Garmon.

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Stewards of the rare and miraculously bad in movies—as well as TV, how-to, instructional and homemade video—the merry footage fetishists of Everything is Terrible! make live what critics would rather let die. The weekend after EIT’s ‘Found Footage Freakout’ at the Silent Movie Theatre late last month found these sore-eyed custodians of the Temple of Dumb waxing philosophic. This interview by Ron Garmon.

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