Stream: The Happy Hollows “Silver” [Audio clip: view full post to listen] (from Spells available now from Autumntone Records) The Happy Hollows’ debut album, Spells, was just put out on Autumntone Records. L.A. RECORD reviewed the self-released album back in September, and spoke to Sarah and Charles about the fruit fly theory of GDP growth.

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The Happy Hollows self-released their first album Spells in October—satisfying months of local anticipation—and today they begin their month-long residency at Spaceland. Bassist Charles Mahoney speaks now about the new album, his new book on Latin America insurgencies and making friends with French people at CMJ. This interview by Britt Witt.

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Negahdari embodied a homecoming queen—her chest resplendent with glitter. She’d choke up on the mic thanking the audience with I love YOU ALL’s. She flailed and screeched while Charlie Mahoney’s fingers wove spider webs around his bass strings. Before the rhythm and before the melody came the sound’s impact. Like a bully’s push it was. The Happy Hollows’ first crunch made my skin shake. The songs loudly proceeded, carving a funnel of love and slipped along its smooth slope to fun house heaven.

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We locals find it funny to call Spells the debut of Happy Hollows. The band has been rocking Los Angeles for a couple years now, so this is hardly an introduction. Instead, Spells serves up a whopping mouthful. Sarah Negahdari rips her guitar open like a bag of candy, smothering herself in gooey sticky delirium. She might be the wild woman, but Charles Mahoney (bass) and Chris Hernandez (drums) absolutely get it.

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