Don’t be discouraged by the lackluster cover art, a watery-looking band photo topped with the album title in scribbly font–San Francisco’s Brilliant Colors triumphantly deliver ten noise-pop nuggets on their debut album Introducing Brilliant Colors. Beneath all the echo and fuzz you still need a well-crafted melody to keep the listener engaged, and Brilliant Colors get this.

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It’s just sugary enough, and the lazy-slash-sunny California tinge eliminates any pretension that tends to bog down a lot of Spector wannabes these days. The simplicity is deceiving too, in that the tone of the mics and the amps really acts as another member of the band. Slumberland has found a sharp little band with these guys.

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Williams plays a brand of pop music that is hard to categorize—his melodies are the crux of the songs, but the subtle augmented instrumentation and the soaring guitars are what sets him apart from contemporaries. The pop comparisons to Nilsson and Clifford Ward can definitely be heard in Williams’ songwriting and it excites me that Los Angeles has someone that is playing a modern twist on these kinds of tunes on a regular basis.

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