On this album, the duo, which consists of Josh Alper and Glenn Donaldson (and a drum machine), manages to do the same thing for late ’80s/early ’90s lo-fi that Viva L’American Death Ray Music did for the Velvet Underground, Bowie and ’70s punk: create an album which mines the troughs of their influences yet still manage to make the recordings relevant to the 21st century. And it’s really fucking good.
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