Have you heard much post-minimalism by Philip Glass? It’s all separation and dissection, one moment in time isolated and distributed across space. A premise gets broken into its simplest parts. (Check out David Ives’ play, Philip Glass Buys A Loaf Of Bread.) An occurrence becomes a sentence then dissolves into syllables, and inherently breaks further still, until we arrive at the absolute of precision: beats. Glass would love Hecuba’s debut album Paradise. He’d want to slice it into a million pieces and decorate a tree with it.
record release
HECUBA: PARADISE
April 22nd, 2009 · 14 Comments
GREATER CALIFORNIA: PUNCH PEOPLE IN THE FACE A LITTLE BIT
April 7th, 2009 · No Comments
Long Beach’s Greater California release their long-awaited All The Colors album tonight at Fingerprints, so we are reviving this interview from the ancient L.A. RECORD volume 1 archives in their honor. They remain Long Beach’s closest thing yet to S.F. Sorrow or Odessey and Oracle and its farthest thing yet from Sublime. This interview by Chris Ziegler.
BLUE JUNGLE: WE TOOK A SHIT ON THE YING YANG
January 23rd, 2009 · 13 Comments
paul rodriguez
