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While I did catch a glimpse of the mound of confiscated drugs at the venue’s entrance, it’s undeniable that a fair amount of mind altering substances made it past the double doors—if the sea of completely uninhibited, barely clothed dancers was any indication.

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After at least an hour of giggling breasts and gyrating American booties, the petite blonde bombshell from off-shore bounced onto stage full of energy. Giggle and gyrate she did too, but this lady was not just a sight—she was also a sound.

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The next time I hear someone wax on about how Lady Gaga is some sort of innovator or icon, I’m grinding this album into her ear until she gets a clue.

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photography by Ward Robinson

Peaches’ albums benefit from their confrontational approach and aura of danger. The Wiltern seemed to be too large of a venue for the intensity to translate; only Brian Lichtenberg’s radical costumes packed a punch. It made me wish we were in a smaller space with the band right in the audience’s face.

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It may sound odd describing an artist as “full of love”—especially when one of her most famous songs is entitled “Fuck the Pain Away”—but Peaches was (and remains) just that. She entered the stage in an abstract peach outfit composed of a pinky-orange balloon shirt, hood, a glittering snakeskin mask and tights, and as she crossed the stage with her arms moving back and forth, she resembled a lively beating heart.

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photography by linda janota

Peaches performed at The Henry Fonda Theatre on Saturday June 6 and Sunday June 7. Linda Janota photographed their Sunday show.

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luke mcgarry

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renata raksha

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