I caught up with some L.A. RECORD peeps at the Echo’s No Culture show last week, but not before catching up with Lucky Dragons, owners of one of my few whole-souled enthusiasms on the current SoCal scene. The rara avis duo of Luke Fischbeck and Sara Rara don’t so much give performances of their Minkowski Space postrock as collaborate with the audience and they did so tonight, passing out various tone-making apparatus to rapt ones sitting semicircle on the concrete floor. They view the craft of song the same way long-gone late-‘70s postpunk experimentalists the Swell Maps did—as a mere conventional pretext for astonishing ventures into the arrangement of pure skronk.
hecuba
ZIG ZAG WANDERER: LUCKY DRAGONS, UV LIGHTS AND THE FINAL ROLL CALL PARTY
April 28th, 2009 · 8 Comments
HECUBA: PARADISE
April 22nd, 2009 · 14 Comments
Have you heard much post-minimalism by Philip Glass? It’s all separation and dissection, one moment in time isolated and distributed across space. A premise gets broken into its simplest parts. (Check out David Ives’ play, Philip Glass Buys A Loaf Of Bread.) An occurrence becomes a sentence then dissolves into syllables, and inherently breaks further still, until we arrive at the absolute of precision: beats. Glass would love Hecuba’s debut album Paradise. He’d want to slice it into a million pieces and decorate a tree with it.
