As guitarist/vocalist of the Epsilons; member of Traditional Fools; part time drummer for Party Fowl, Fresh and Onlys and Sic Alps, and leader of his own namesake band, which switches between the one-man-band format to its current full band incarnation, Ty Segall has managed to craft a unique sound and create a scene all his own, which has lead him into the arms and hearts of legendary garage rock figures like Eric Oblivian (Goner Records founder, member of Oblivians, Bad Times) and John Dwyer (Castle Face Records founder, member of Coachwhips, Thee Oh Sees, the Hospitals, etc).

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King Khan’s set was energetic and explosive as they plowed through their classic ‘60s R’n’B and soul inspired songs. At one point in the set, Khan was offered roses by an adoring fan though he quickly tossed them into the crowd. The most touching moment was when Khan introduced the song “Welfare Bread,” explaining that he and his wife were recently living on welfare until he was swept up by musical popularity; he then thanked the crowd and told them they were the reason he was able to get out of the gutter. By the end of the set, Khan’s band was still rocking at full force, though now fully drenched in sweat, as was the crowd.

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This album is abrasive and full of noisy incongruent riffs and phrases, and though it is definitely not for everyone, there are moments where it seems true genius is lurking behind the hiss and noise. Mixing elements of garage and noise rock with hip-hop, grunts, growls, and even free jazz, Sticky Rubies is a unique and seemingly un-self-conscious addition to the recent wave of lo-fi underground albums to surface in the last few years.

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As a young kid and future music nerd growing up in the 90s, the first band I obviously became obsessed with was Nirvana; and the first album I became obsessed with was their Unplugged in New York. From that album my early music palate expanded. First, it led me to the Germs by way of Pat Smear’s guest appearance on guitar, then later, to the Vaselines by way of Nirvana’s cover of “Jesus Doesn’t Want Me for a Sunbeam.” Having prefaced with this, seeing the Vaselines perform in Los Angeles was a rare, unexpected treat.

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Wavves is Nathan Williams with recent reinforcement from drummer Ryan Ulish. They will play a special early show on Wednesday at the Echo, but they spoke even earlier with L.A. RECORD‘s Daniel Clodfelter. And don’t miss Dan Collins’ review of Wavvves on this run-up to Wavves Weddnesday.

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With a name inspired in equal parts by La Peste and Le Shok, Le Face know what they are aiming for when creating a classic punk record. They draw from the catchy post-punk attack of songs like “Better Off Dead” and “Color Scheme,” yet speed them up and dirty them down to make one of the best punk records to come out of the state since the turn of the century.

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emily ryan

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