L.A. RECORD!

chloe sevigny

DEC. 19: WERNER HERZOG Q&A AT SHOWING OF “MY SON, MY SON, WHAT HAVE YE DONE?”

December 16th, 2009 · No Comments

[youtube:http://www.youtube.com/watch?v=4Yn4ZglUbmI] The Friday Q&A show sold out, but don’t fret! On Saturday, the Downtown Independent is showing director Werner Herzog’s newest film, which he calls “a horror film without the blood, chainsaws and gore, but with a strange, anonymous fear creeping up in you, ” and Herzog HIMSELF will be present for a Q&A in [...]

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2ND NIGHT ADDED: WERNER HERZOG Q&A AT “MY SON, MY SON, WHAT HAVE YE DONE” SATURDAY!

December 16th, 2009 · No Comments

[youtube:http://www.youtube.com/watch?v=4Yn4ZglUbmI] The Friday Q&A show sold out, but don’t fret! On Saturday, the Downtown Independent is showing director Werner Herzog’s newest film, which he calls “a horror film without the blood, chainsaws and gore, but with a strange, anonymous fear creeping up in you, ” and Herzog HIMSELF will be present for a Q&A in [...]

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JUST ANNOUNCED: WERNER HERZOG Q&A AT L.A. PREMIERE OF "MY SON, MY SON, WHAT HAVE YE DONE" FRIDAY!

December 14th, 2009 · 1 Comment

[youtube:http://www.youtube.com/watch?v=4Yn4ZglUbmI] On Friday, the Downtown Independent is premiering director Werner Herzog’s newest film, which he calls “a horror film without the blood, chainsaws and gore, but with a strange, anonymous fear creeping up in you, ” and Herzog HIMSELF will be present for a Q&A in association with the 7 PM screening. Produced by David [...]

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COACHELLA 2009 @ INDIO POLO FIELD

April 22nd, 2009 · 1 Comment

Watching X and My Bloody Valentine put into perspective all these kids making noisy pop music by recalling the rich and fabled genealogy of this newfangled uprising and putting a sincere (albeit wrinkled) face on sounds that were once something controversial and that today’s babies take for granted… it must be oddly pleasant to play a show you never would’ve been asked to play in your own heyday, knowing that tropes you helped invent are propelling smooth-skinned foals into stardom from what middle-aged critics are carelessly referring to as the “outside” or the “fringes” while you wonder where the hell that leaves you?

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