Negahdari embodied a homecoming queen—her chest resplendent with glitter. She’d choke up on the mic thanking the audience with I love YOU ALL’s. She flailed and screeched while Charlie Mahoney’s fingers wove spider webs around his bass strings. Before the rhythm and before the melody came the sound’s impact. Like a bully’s push it was. The Happy Hollows’ first crunch made my skin shake. The songs loudly proceeded, carving a funnel of love and slipped along its smooth slope to fun house heaven.

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We locals find it funny to call Spells the debut of Happy Hollows. The band has been rocking Los Angeles for a couple years now, so this is hardly an introduction. Instead, Spells serves up a whopping mouthful. Sarah Negahdari rips her guitar open like a bag of candy, smothering herself in gooey sticky delirium. She might be the wild woman, but Charles Mahoney (bass) and Chris Hernandez (drums) absolutely get it.

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