If German prog rock bands of the early 70s were members of the Weasley family from Harry Potter, Can would be Ginny Weasley, Cluster would be Bill, Kraftwerk would be Percy, Neu! would be the one who studies dragons, and Faust would be the twins. Faust have always been known for musical larks, marketing scams, and instrument destruction across a career that’s spanned 40 years and seriously nurtured redheads in the process. This interview by Dan Collins.

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DISTRO HAS BEGUN! SIDE A LACO$TE by Daiana Feuer HANNI EL KHATIB by Lainna Fader DEATH by Kristina Benson GANG OF FOUR by Lainna Fader TEEBS by Kristina Benson OFF! by Chris Ziegler TOM TOM CLUB by Daiana Feuer FORT KING by Dan Collins LUIS & THE WILDFIRES by Lainna Fader MY DRY WET MESS [...]

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The Residents are masked and anonymous artists who prosecute the same visionary tradition as Pere Ubu, Negativland, Harry Partch and Captain Beefheart and His Magic Band. The Residents do not communicate directly with the press, but …

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“Daniel’s got his marbles in a row right now so I guess that’d be all right,” Daniel’s dad, Bill, told me. “Daniel’s a regular person, you know, like you and me.” “That might be so,” I said, “but Daniel’s done some things I’ve never done that I’m real curious about—plus I think we might have a fun time talkin’ to each other.” We did. This interview by Drew Denny and Chris Ziegler.

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Ya Ho Wha 13 were the band formed out of the pre-dawn practice sessions that served also as morning meditation for the Source Family, the L.A.-area religious sect that ran their own health food restaurant during the ‘70s. Drag City has collected nine unreleased songs for this month’s Magnificence in the Memory. This interview by Dan Collins.

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Extra Golden started when a graduate-studies project grew into a part-American-part-African benga band in Kenya and recently won notice for their particularly timely song “Obama,” which is about the president and not the beer. Their Thank You Very Quickly is out now on Thrill Jockey. This interview by Kevin Ferguson.

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Have you heard much post-minimalism by Philip Glass? It’s all separation and dissection, one moment in time isolated and distributed across space. A premise gets broken into its simplest parts. (Check out David Ives’ play, Philip Glass Buys A Loaf Of Bread.) An occurrence becomes a sentence then dissolves into syllables, and inherently breaks further still, until we arrive at the absolute of precision: beats. Glass would love Hecuba’s debut album Paradise. He’d want to slice it into a million pieces and decorate a tree with it.

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