Interviews

Interview

BRAINSTORY: OUR SOULS ARE INFINITE

July 19th, 2017

Brainstory's self-titled mini-album came out in May and was produced by Chicano Batman’s Eduardo Arenas. We sat down at my kitchen table to talk about it. Tony Martin arrived strapped with an acoustic bass strapped, playing from the moment he walked in until the minute he left. They perform on Thurs., July 20, at the Levitt Pavilion in MacArthur Park and at the Music Tastes Good festival this fall. This interview by Daiana Feuer.

Interview

DERV GORDON OF THE EQUALS: I’VE GOT TO MOVE

July 10th, 2017

The Equals were unstoppable for the best part—truly the best part!—of two decades, breaking out in 1966 with their classic “Baby Come Back” and zig-zagging through hit after cult-y hit until the end of the 1970s. They were a step ahead in everything, from the music they played to the way they dressed to who they were—uniquely a mixed-race band and a majority-immigrant band, too—and while founding member Eddy “Electric Avenue” Grant would find solo fame in the 80s, the Equals’ reputation among musicians and music fans grows stronger each generation. (Plenty of other bands covered the Clash, but the Clash covered the Equals.) Singer Derv Gordon performed his first-ever U.S. show in San Francisco in January and will now be making his L.A. debut this Fri., July 14, at the Echoplex. This interview by Brad Eberhard and Jun Ohnuki.

Interview

SEXTILE: CHOOSE WHAT YOU WANT

July 6th, 2017

L.A.’s Sextile hammer out relentless and uncompromising post-punk with a gothic command of negative space and vintage synthesizers sparking lightning at the edges. They speak here about making it work no matter what. Their record release show for their new Albeit Living is Thurs., July 13, at Zebulon. This interview by Vanessa Gonzalez.

Interview

ILL CAMILLE: I JUST DO IT

June 27th, 2017

Time is a common denominator in the struggles of most artists. Camille Davis—better known to us as Ill Camille—is no exception to the rule. 2012’s Illustrated along with her appearance on Kendrick Lamar’s Good Kid, M.A.A.D. City and work with Crenshaw jazz producer Terrace Martin made her the talk of the town in the L.A. scene. And then time passed. Now five years later—five years spent working with a who’s who in the tight-knit L.A. community, mind you—she blesses us with her new record Heirloom. This is her time. She performs on Wed., June 28, at Low End Theory. This interview by Senay Kenfe.

Interview

THE SIDE EYES: KIDS GOING CRAZY

June 16th, 2017

In the spirit of classic SoCal punks like Black Flag, The Adolescents and the Bags, The Side Eyes serve up high energy spunky punk on their debut album soon to be released on the indispensable In The Red label. I sat down with Astrid, Kevin, Chris and Sam and chatted about their shows, favorite bands and their guilty pop culture pleasures. They play Sunday at the Echoplex with Redd Kross, J.F.A. and more for the "Punk Is Dad" show. This interview by Tiffany Anders.

Interview

DRAB MAJESTY: THE SADDEST THING EVER

June 15th, 2017

It is Andrew Clinco’s fascination with human relationships—between two lovers, or two family members, or even between a cult leader and their followers—that animates the steely-cold new album by L.A.’s Drab Majesty, The Demonstration. But there’s another relationship even closer to the heart of the album: Clinco’s own relationship with Deb DeMure, the genderless frontperson of Drab Majesty and a persona Clinco created as the “vessel” for his songs. We spoke with both DeMure and Clinco about the slippery nature of authorship, the rituals behind Drab Majesty’s performances, and why people are much more interesting when they’re weird. Drab Majesty performs Sat., June 17, at the Echoplex. This interview by Chris Kissel.